Once I'm dong with XF up to season 7 (a nice season, I remember it being sort of funny and sweet and the producers totally told the leads to act like they'd been a hot item for years), I'm going to start my next project: a Millennium re-watch. Millennium is everything XF was either only occasionally or not at all - virtually humourless, violent, filled to the brim with absolute dread. Its brand of paranoia was mythical and epic in scope, but also local, tensely positioned between the fight and the flight in the face of the evil that humans do.
It, too, collapsed under the weight of its mythology and finished with a tepid third season. But what I love about Millennium is that it was so unafraid - unafraid to dispose of essential characters when they needed to go (and it shocked me, every time), unafraid to show the Devil without excuses or redress. The ten-minute sequence of somebody seeing the Apocalypse and snapping, really badly, in real time, set to Patti Smith's "Land", remains a milestone in my TV-viewing career. So is most of "Jose Chung's Doomsday Defense" a fine screwball comedy penned by everybody's darling Darin Morgan. If you've "never heard of the work of Bobby Wingood", it's time to start now.
And it was terrifying. The pilot's ruthless juxtapositions of hideous crimes and a fragile family moving into a sunny, yellow house, made me choke on my toast. I can still feel that. It'll be good to see Frank again.

It, too, collapsed under the weight of its mythology and finished with a tepid third season. But what I love about Millennium is that it was so unafraid - unafraid to dispose of essential characters when they needed to go (and it shocked me, every time), unafraid to show the Devil without excuses or redress. The ten-minute sequence of somebody seeing the Apocalypse and snapping, really badly, in real time, set to Patti Smith's "Land", remains a milestone in my TV-viewing career. So is most of "Jose Chung's Doomsday Defense" a fine screwball comedy penned by everybody's darling Darin Morgan. If you've "never heard of the work of Bobby Wingood", it's time to start now.
And it was terrifying. The pilot's ruthless juxtapositions of hideous crimes and a fragile family moving into a sunny, yellow house, made me choke on my toast. I can still feel that. It'll be good to see Frank again.

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